42 entries related to Typography — Most recent at top.
Elegant typographic and identity redesign for the biggest Community Supported Agriculture (CSA) program in Texas. The cardboard boxes are my favorites. •
A single line of CSS code that will greatly improve you’re site’s typography, thus legibility. Especially in you’re using a large font-size. Put it in the body selector. •
So you need a typeface. m’yes? Julian Hansen’s flowchart for the appropriate font choice. Follow the arrows, easy done it. Also available as a poster here. (merci LP) •
iQ font: when branding becomes clever once again. When car manufacturers realize times have changed and their latest model on a scenic background won’t even sell to the least demanding baby-boomer. All in all, the font is cool too. But mostly: yay for design process! (via le facebook de quelqu’un d’autre. Duhamel, je pense.) •
Amateurs de typographie et d’interfaces web bien ajustées, allez jeter un coup d’oeil à l’excellent site de la Fondation Cartier. L’exposition en cours — intitulée « Né dans la rue – Graffiti » — se consacre au graffiti et à l’art urbain, et s’expose sur la page d’entrée du site, proposant d’emblée au visiteur de parcourir sa bibliothèque de tags répertoriés. La classification n’est pas claire à mes yeux incultes de calligraphie canne-de-spray (par lettre?), mais elle ne nuit nullement à l’exploration et à la découverte d’expressions graphiques cachées. (merci xéroux) •
J’ai trop de sarcasme qui veut sortir en même temps: mes chers amis apprentis architectes, pratiquez-vous dès maintenant, parce que c’est une des sections d‘évaluation dans les examens de l’Ordre: How to write like an architect. Tant qu‘à faire, “wake up the letters” de ton mémoire de maîtrise de même. •
This. Fucking. Election. Typographic headline topic timeline. Il manque un peu de niaiseries Palinesques là-dedans. (Merci Hugo) •
Louis-Pierre, je te la dédie celle là: Ill Studio . Mash-up de typos, d’illustrations, de photographie. Et 100 pts de plus pour employer le terme groupuscule dans leur définition de soi. •
The Rather Difficult Font Game. Ici, on va appeler ça le Font Game tout simplement: it could (and should) be more difficult if you’d have to type them in, not merely choose them out of a random list. 32/34, modit Bembo. Le quiz Arial vs Helvetica reste un classique. •
Saturday typography: Dutch designer Christoffer Hald designed quite a few of typographically rich logotypes. Full frame flash websites are always fun too (though I wish it wouldn’t turn black between the slides). Craig Ward’s Words Are Pictures displays similar fine details and ingenuity in larger pieces: posters, editorials. He loves to work and try type experiments with his Adana 5×3 printing press. •
Bag maker Crumpler bets on weirdest, quirkiness and humour to sell bags, somehow dosing it right to get associated with authenticity and good design. They are so creative, they even come up with their own ABC. •
Suite au billet du nouveau clip de justice, allez voir ça: making of du bumper de HBO en 1983. Avancez le à 5m 18s. Ça boucle la boucle, même la musique sonne comme du Justice. Et pour les vieux qui savaient déjà tout ça, give me a break, I was born in the 80s. •
Typographica’s best typfaces of 2007: sort of like the oscar winners of typography. Kind of makes you want to make posters and invitations all day long. •
Hot, slick n’ sexy: Justice’s latest clip DVNO pimped out pretty much all the 80s logos and typography clichés. I love how they tweaked the song to amplify the images; it also implies the musicians actually have a say in all of this. By the way, à moins que t’hibernes depuis Décembre, tu sais déjà que Justice sera à Montreal le 16 mars prochain. •
De-melting, re-forming, un-bubbling, type-texturing: Toca Me Design Conference titles by Dvein. How many melting/forming objects can you name? I see one Joe-Louis. UPDATE: Jeff m’envoie quelques explications et images du making of. •
Sean Freeman: traitements typographiques explosifs, encreux, lèvreuses. •
Pour les joyeux gais lurons qui font la mise à jour à Mac OS X 10.5 Leopard et par la suite font face à (comme moi) le “De késsé qui s’passe avec Helvetica Neue? C’est quoi ce foutu bordel?”: the solution. Delete dans ta face de gros chat. Pis what is up with this fugly dock? •
Flickermood: smoooth experimental typographic animations. Or as motionographer and quipsologies put it: dope type animations. •
Typographica’s favorite fonts of 2006. Fresh stuff with lots of personality. The Guardian font is especially well set. Rumba and Omnes are my 2 favs. •
Type The Sky: you can make typography out of anything, even empty space between buildings. •
Pentagram explains the design of the new sign on the NYTimes building. The beak shape of the pieces is quite clever. •
Eine’s East End Shopfront Shutter Letters : Typo old-school + graffiti : on aime ça. •
Flickr: Grass typography in Berlin and the DRM is like… picture pool. •
Pierre-Jean, si tu lis encore ce blog de temps en temps, c’est bien ben ta veine ce soir. Mets tes écouteurs, monte le son, recule ta chaise un peu et écoute/lis ça: Lotus Blossom. J’vais catégoriser ça sous “récits philosophiques de voyage jazzé et typographiquement animé en flash”. •
Love at First Byte. A great article on programmer Donald Knuth, writer of the book The Art of Programming. He will, through the publishing of his book, be brought to program and built today’s typesetting systems. The best quote: “I wouldn’t have wanted to write The Art of Computer Programming if it was going to look ugly.” (merci Hugo) •
Value Pack: Alphabet made of raw hamburger. Y’a un jeu de mot pas loin, j’le sens… Ah, ché pas. •
For typography buffs: Type Directors Club TDC2 2007 Winners. I like Darden’s “Untitled” and Bee’s “Olga” most. •
What does Marsellus Wallace look like? Typographic film based on the classic Pulp Fiction scene. I wonder what it would be to watch a whole movie like this… •
Slideshow of the making of the new 1 USD coin. J’aime la typo sur la tranche de l‘épaisseur. •
Tomas Broome Modern Mantras series. Drawing + Space + Words. Couple more here. •